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Kendrick definitely delivered here and gave us this great piece of art. These are throwaway songs and it's still better than most rapper's best works. This album contains songs that didn't make To Pimp a Butterfly which were recorded from 2013-2016. is the fourth studio album from Kendrick Lamar. Nevertheless I enjoyed itįavorite Songs: Untitled 01, Untitled 02, Untitled 03, Untitled 05, Untitled 06, Untitled 07, Untitled 08 I enjoyed this release from K.Dot but people are making too much of a deal about it, its simply a compilation of B sides and unfinished tracks it should not be taken as a legitimate release of concentrated work.
#Kendrick lamar untitled unmastered 3 full
The fact that these excellent tracks were left off his full length really makes it seem like he has an other worldly ability to compile a list of tracks into an art piece. This perhaps defines him as an artist as Section 80, Good Kid and Butterfly are all so well put together. One thing I feel like this really accentuates is Lamar's masterful ability to compose albums.
I would consider everything but 04 and 07 tracks that I would throw on anytime. An obvious collection of b-sides and extras from recent Kendrick productions with funk, jazz and hip hop all colliding beautifully with Kendrick's great lyricism and style. The dude is just at the top of the game right now and can't be contained or even approached by anyone consistently. With that in mind it's actually a bit better than expected. being a disappointment really showed how great Kendrick was during his TPAB sessions.īasically a glorified album of bonus tracks. Prob a 4.5 if Untitled 3ĮDIT: FUCK IT its a 4.5. King Kendrick showing us he not just a 3 album hit wonder and might still have some left in the tank. A rare instance of a non-bloated Kendrick project. Only Kendrick can have an album full of "b-sides and rejects" be some of his best work. untitled 03, untitled 05, untitled 06, untitled 07, untitled 08 TPAB throwaways that still sound so damn good but with muddy production (obviously). It just doesn't work for me like his other worksr Kendrick is great, but I don't really get this album. Untitled 3,6, and 8 are solid while 1,2, 5 and 7 are excellent. Since these are demos, some of the tracks have unfinished qualities and the instrumentals are kinda barebones compared to the denseness of TPAB, but Kendrick delivers with a variety of flows and dense wordplay, a lot of which I've yet to decipher. While this project consists of tracks that were penned around the TPAB studio sessions, they are arranged in a way that flow smoothly giving this collection of songs their own identity.
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This guy could turn out a turd and it would get 5's across the board. Whereas the rest is more like world-class waste. But it makes for some pretty warm waste, I gotta say.
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Of course there's also the prolonged+hissy passage of behind-the-scenes badinage/tune-planning, perhaps superfluously consummating the whole 'unmastered' slant. The creepin' slow-burn jazz-hop understatements are fresh in their reserve, particularly showcasing Thundercat's uber-resonant bass-work and encouraging flows to come gleam on through the demo-ish dust the xtra-doses of fervor and clarity accentuated without any abandonment of lexical density. Rocks half the tracks/less than half the length/barely a wisp of the pampering dispatched on last year's unassailable do-I-even-have-to-say-it hip-hop smash, but I'll be damned if this isn't nearly as indispensable. Sigur Ros kinda cornered the market on 8 untitled-track follow-ups to hugely acclaimed albums, but A for effort. PIMP PIMP! HOORAY! this is some pretty bizarre stuff, gonna take a while to digest To the douchebag who intentionally gave this a 1, get a life asshole.Īre people really giving packaged unmastered scratch tracks a 5?